Tag Archives: movies

The most filmed dog breeds

Have you ever noticed that the rectangular film frame is less suited to the human body shape than to the four-legged format of the dog?

That’s right: cinema was made for dogs. But some dog breeds make more movies than others. From the canine celebrity Rin Tin Tin to the uncanny CGI of Cruella and Call of the Wild, it feels like German Shepherds, Dalmatians, and Saint Bernards are better represented than other ‘makes’ of dog. But is this really the case? Or do they just do more PR?

Protect My Paws used IMDb data to identify the breeds that appear in the most films and TV shows of the past century-and-a-bit. We found some stuff that will change what you thought you knew about dogs in movies.

Today we present our guide to the Michael Caines and Samuel L. Jacksons of the canine world: the dog breeds that never turn down a role.

The German Shepherd Appears in More Movies Than Any Other Breed

With the dependability of a four-legged James Stewart and the ruggedness of a young Steven Seagal, the mighty German Shepherd is the canine king of Hollywood. German Shepherds – also known as Alsatians – have collected nearly twice as many credits as the second most active dog breed, the bulldog.

The Saint Bernard tends to be a limelight grabber with its James Belushi-esque presence in pictures such as Beethoven and Daddy Daycare. But nine other breeds, including the poodle and the Chihuahua, have more films to their name. And the Dalmatian? Since we counted number of films, not number of dogs, the Dalmatian is two movies short of achieving 101 credits, and does not even make the top 10.

Cinema’s ‘Funny Dogs’ dominate 1930s, ‘40s, ‘50s

How have audiences’ preferences for dog talent changed over the years? Well, the original Alsatian superstar, Rin Tin Tin, racked up the credits during the ‘Rinty’ craze of the 1920s. But his descendants and namesakes worked with only sporadic success.

It was not until the 1960s that the German Shepherd became the most-cast breed once again. The long-beaked hound was spotted in seminal zombie flick Night of the Living Dead (1968) and arthouse classic The Diary of a Chambermaid (1964), among more than 50 titles in the 1960s. But his most iconic role was as The Littlest Hobo, a homeless dog who walks the Earth solving problems for strangers.

The German Shepherd has dominated every period since the 1960s. But Hollywood’s golden age was an era of bulldogs. This wrinkle-faced bruiser can claim 34 titles in both the 1940s and the 1950s. The bulldog played alongside Judy Garland in Meet Me In St. Louis (1944) and raised laughs with Abbott and Costello and the Three Stooges. But most of the bulldog’s golden age credits are due to appearances in cartoons, particularly as Spike – a canine foil to Tom and Jerry.

That just leaves a surprise winner for the 1930s: the dachshund, or wiener dog. Why a surprise? Because the dachshund is clearly a better fit for either widescreen or CinemaScope, and neither were commonplace until the 1950s. Sure, there was a role in Hitchcock’s Secret Agent and all-star drama Grand Hotel – but most of the wiener dog’s 1930s roles came from cartoons. While bulldogs tickled 1950s audiences, in the 1930s people found dachshunds hilarious.

Sheepdog Breed Is Most Critically Acclaimed Dog

Next, we used Metacritic to find the average rating each dog breed has across their whole back catalog. From this perspective, finally the German Shepherd’s Hollywood crown starts to look wonky. With an average rating of 56.5, the German Shepherd is only the 14th most critically acclaimed dog breed.

But the critic’s darling, our lifetime achievement nominee, is the border collie. As sharp as Joan Crawford, as tenacious as Sigourney Weaver, as adorable as Heath Ledger, the border collie picks their roles carefully. Choice cuts include supporting parts in Babe (1995) and The Lobster (2015), while the collie has also played the ‘quintessential dog’ in dog movies, including A Dog Year (2009), Hotel for Dogs (2007), and Duke (2012).

As a final note, never see a film with a Yorkshire terrier in it. With an average rating of 36.3, they are all stinkers.

The Start of a Beautiful Friendship

This year was a big year for dogs in movies. The coveted Palm Dog (the canine answer to the prestigious Cannes Palme d’Or) was won not by one but three springer spaniels. All three belong with their co-star, the actor Tilda Swinton, who didn’t win a thing.

Could Rose, Dora, and Snowbear usher in a new era of springer spaniel domination in Hollywood? Could multiple dogs in the billing mean cinema is finally shaping up to fulfill its destiny – as a medium for actors who are longer than they are tall and who shout their lines in short, loud bursts, like furry Al Pacinos?


Our initial list of dog breeds was compiled using Dogtime.com. Each dog breed was then looked up on IMDB custom search engine in two variations: with and without “dog,” e.g., “German Shepherd” and “German Shepherd dog,” recording a total number of unique titles (films and tv series), as well as their year of release, and their Metascore, where available.

Dog breeds with the highest number of unique titles they appeared in were deemed the most popular. Dog breeds with the highest average Metascore of the titles they appeared in were deemed the highest rated.

Data was collected in July 2020.

Source: ProtectMyPaws.com

Dogs get the Hollywood treatment to make animal animations more realistic

Researchers are creating a library of movement data from different dog breeds, to make animal animations in films and video games more realistic.

Hollywood greyhound

Motion data from the dogs will help create more realistic animal animations for games and films

Films such as the Planet of the Apes used motion capture techniques extensively to transform their human actors into apes, however this process doesn’t work well for true four-legged animals.

Now computer scientists from the Centre for Analysis of Motion, Entertainment Research & Applications (CAMERA), at the University of Bath, are looking to automate this process.

Two legs to four

They are developing a new technique that will be able to use the movements of a two-legged human actor to drive a four-legged animal character, to make it move in a more realistic way.

The team has invited canine residents from local neighbours Bath Cats and Dogs Home to their studio to help collect the motion capture data.

Head of Studio at CAMERA, Martin Parsons, said: “At the moment, actors have to walk around on all fours, and the computer software changes them into an animal.

“What we want to do is to look at the movements of the human actor and then use a kind of translator to look at a library of real animal data to make the character on the screen move in a realistic way.

“It works a bit like a puppeteer, with the actor using their whole body to drive the animal avatar.

“We’re really grateful to the Bath Cats and Dogs Home for letting us work with their dogs.

“It is fantastic to be working with an important local charity just down the road from the University and we’re delighted to be making a donation to contribute towards the valuable work they do.”

Hollywood treatment

Cameras on the greyhound

Cameras in the studio detect light reflected from markers worn by the dogs, so researchers can capture the movement accurately

The dogs will be wearing coats with reflective markers fixed onto them. Infrared light hitting the reflective markers is sensed by special cameras that are placed around the edge of the studio, which can then record the 3D position of the marker. This information can be used to reconstruct the movement of the dogs on the computer screen.

The dogs will play on an agility course set up in the studio with their Animal Carers from the Home and an animal behavioural assistant on hand to help them interact, overcome any camera shyness and of course have fun.

Simon Lynn, Head of Animal Operations at Bath Cats and Dogs Home, said: “This is such an innovative project for our dogs and team to be a part of. It will be so beneficial for the dogs taking part as it is great socialisation for them – meeting new people and seeing different sights and sounds.

“Kennel life can become repetitive so we’re always looking at ways to add enrichment to our dog’s lives whilst they’re waiting to be adopted and a trip to the CAMERA team at the University of Bath definitely fits the bill.

“Their carers are with them at all times so we can check they’re relaxed and happy but we’re sure they are going to love it. Not only that but the donation towards Bath Cats and Dogs Home’s work will help these dogs find new homes and help us to save many other unwanted animals in our area.”

They will be using lots of different breeds to study the different gaits of the animals, and hope to expand the project to use cats next year.

As well as informing the research at CAMERA, the data collected during the shoots will be used as part of collaborative research and developments projects with industrial partners to drive the next generation of tools and processes across the visual effects and games industries.

CAMERA is a £5 million research centre funded by the Engineering and Physical Sciences Research Council (EPSRC) and the Arts and Humanities Research Council (AHRC) at the University of Bath. CAMERA will create advanced motion tracking technologies for use in the entertainment industry, to enhance training and athlete performance, and to help develop assistive technologies.

Source:  University of Bath press release

Darling Companion

I stumbled across this movie today, Darling Companion, directed by Lawrence Kasdan (The Accidental Tourist, The Big Chill, The Empire Strikes Back, Raiders of the Lost Ark, Grand Canyon and many other movies).  It was released in 2012 but I don’t think it ever made it to theaters or, if it did, it was one of those that disappeared quite quickly.

There’s a dog in it, of course.  His name is Freeway and he is saved by Beth and Grace (Diane Keaton and Elisabeth Moss) on a cold January day when Beth spots him as they are driving down the freeway.  Beth needs something in her life because husband, Joseph (Kevin Kline) is absorbed in his work as a spinal surgeon.darling-companion

And then, after Freeway is part of Grace’s wedding a year after coming into their lives, Joseph takes Freeway for a walk and the dog chases a deer and is lost.  For the remainder of the film, the extended family searches for Freeway.

There’s some real romance and humor in this film and very nice scenery of Colorado.  Something of a predictable storyline, with aspects of dog adoption woven into the story which is a theme I’d support in any film.

Well worth seeing.  (Freeway is very cute).

Kathleen Crisley, specialist in dog massage, rehabilitation and nutrition/food therapy, The Balanced Dog, Christchurch, New Zealand

Hapless huskies, dumped dalmatians: let’s stop treating pets as disposable

I like this opinion piece which discusses puppy mills, exotic pets and even the link between popular culture (movies, etc.) and the demand for certain breeds of dog.

Mr Barkham (no pun intended) talks about the need to strengthen requirements to underpin a culture that expects responsible pet ownership.  My favourite quote “Buying a big pet should be like obtaining a mortgage – an agonising process with loads of ludicrous red tape that ensures we really want the burden of an animal in our lives for a decade or more.

Click on the link to read more:

Hapless huskies, dumped dalmatians: let’s stop treating pets as disposable | Patrick Barkham | Comment is free | theguardian.com.

'The Blue Cross has seen a 700% increase in husky-type dogs being given up or abandoned over the past five years, with 78 taken in last year.' Photograph: Andrew Milligan/PA

‘The Blue Cross has seen a 700% increase in husky-type dogs being given up or abandoned over the past five years, with 78 taken in last year.’ Photograph: Andrew Milligan/PA


The impact of movies on dog breed popularity

The effect of movies featuring dogs on the popularity of dog breeds can last up to ten years and is correlated with the general success of the movies, according to new research from the University of Bristol, the City University of New York, and Western Carolina University.

The researchers used data from the American Kennel Club, which maintains the world’s largest dog registry totaling over 65 million dogs, and analysed a total of 87 movies featuring dogs. They found that the release of movies is often associated to an increase in popularity of featured breeds over periods of one, two, five, and ten years.

The influence of movies was strongest in the early twentieth century and has declined since.

Additionally, they found that these trend changes correlated significantly with the number of viewers during the movie’s opening weekend, considered as a proxy of the movie’s reach among the general public.

This suggests that viewing a movie may cause a long-lasting preference for a breed that can be expressed years later, when the time comes to buy a new dog.

The 1943 hit Lassie Come Home is associated, in the following two years, with a 40 per cent increase of Collie registrations in the American Kennel Club.

Lassie Come Home theater poster

An even more dramatic example is the 100-fold increase in Old English Sheepdog registrations following the 1959 Disney movie The Shaggy Dog.

Photo taken by Harald Urnes, Norway

Photo taken by Harald Urnes, Norway

Professor Stefano Ghirlanda, lead author of the study said: “We focused on changes in trend popularity rather than on popularity itself to avoid attributing to movies trends that were already ongoing before movie release, as up-trending breeds may have been chosen more often for movies.”

Earlier movies are associated with generally larger trend changes than later movies. This might be due to an increased competition with other media, such as television, and more recently, the internet, but also to an increased competition among movies. Movies featuring dogs were released at a rate of less than one per year until about 1940 but a rate of more than seven per year by 2005.

Dr Alberto Acerbi, a Newton Fellow in the Department of Archaeology and Anthropology at the University of Bristol and co-author of the paper said: “If people buy en masse dogs because they appear in movies the consequences can be negative for the dogs themselves. Our previous study found that the most popular breeds had the greatest number of inherited disorders.

“It’s not surprising that we tend to follow social cues and fashions, as this is a quite effective strategy in many situations. However, in particular cases the outcomes can be negative. When choosing a new pet, we may want to act differently.”

Source:  EurekAlert! media release

Rin Tin Tin: The Life and the Legend

rin tin tin book cover

I have just finished reading Rin Tin Tin:  The Life and the Legend by Susan Orlean.  Having previously blogged about the Dogs on the Hollywood Walk of Fame, I was intrigued when this book made the New York Times bestseller list.

If you like biography, you will like this book.  It has been expertly researched by Orlean who spent weeks reviewing the archived personal files of Lee Duncan, the owner and trainer of the original Rin Tin Tin.  Duncan fought in France during WWI and found the young ‘Rinty’ in an abandoned kennels.  He was able to secret Rin Tin Tin away on a ship returning servicemen to the United States along with his sister, who unfortunately died shortly after arriving in the USA.

Duncan bonded with the dog like no other individual (human or otherwise) in his life and found the dog exceptionally bright (although cranky with other humans).  In the 1920s, he was certain that Rinty was movie material.  Orlean does a superb job describing old Hollywood – before sound was even introduced to films and Duncan’s efforts to make his dog a film star.

Rin Tin Tin’s popularity is the main reason why German Shepherd dogs became a popular breed in the United States.

During this period in American history, dog training was not even recognised as a discipline.  In large part thanks to Rin Tin Tin’s popularity, the benefits of dog training were introduced to the American public.  Orlean again does a superb job in explaining how trained dogs were exhibited to Americans as entertainment, eventually spawning an entire industry.

It is very entertaining to read about Rin Tin Tin’s early success and the challenges posed by the introduction of sound to the movies.  Duncan, perhaps in denial, didn’t make provisions for a successor to Rin Tin Tin and – as was inevitable – the original Rinty died.  Rinty’s son was not up to scratch for acting duties and there was a time before a suitable successor was trained.

From there, the story becomes one of how Rin Tin Tin became a legend and an industry.   Other dogs, including subsequent descendents, take on the role of Rin Tin Tin and he is even transformed to a television star in the Adventures of Rin Tin Tin.  At this point, there are spin-off benefits of merchandising.

So many people invested emotional energy (as well as lots of money) in keeping Rin Tin Tin in front of the American public, well into the 1970s.  By the 1980s, however, American tastes had changed.

This book is well written and with a good pace throughout.  I recommend it  particularly if you have a German Shepherd in your life, or someone who is a German Shepherd fan, this book would make an excellent Christmas gift.

The Lucky One

I’ve just finished reading The Lucky One by Nicholas Sparks.  What attracted me to the book was the fact that the story is predominantly set at a boarding kennel and that one of the main characters, Zeus, is a German Shepherd.  It helped that the book was previously on the New York Times Bestseller list and so others must have liked it too.

I hadn’t realised that Nicholas Sparks is a the author of novels like The Notebook and Nights in Rodanthe, which were successfully made into movies (I liked both movies).  As it turns out, The Lucky One has just been made into a film starring Zac Efron but it hasn’t shown here in New Zealand yet (more on that later).

This is a story of Logan, a veteran of the conflict in Iraq, who finds a photograph in the desert of a woman.  The photo goes unclaimed at the camp and so Logan keeps it and it becomes his good luck charm.  When he leaves the US Marines and returns to the United States, he goes on a quest to find the woman in the photo – with Zeus his loyal German Shepherd for company.

He finds Elizabeth, a divorced mother, living with her grandmother who runs a boarding  kennel.  He starts working there and through the book we learn about the original owner of the photo and the traumatic experiences that Logan endured during his time in Iraq.  We also learn about his best friend, Victor, who encouraged him to find the woman in the photo…

There’s some suspense at the end of the book (but I found this didn’t really live up to the marketing on the book’s cover).  I won’t tell you whether or not Logan and Elizabeth end up together, either.  I will say that this was a solid story and it’s pleasing to see a dog take up a major role in the book.  It’s worth a read.

And so back to the movie thing.  When I read the book, I definitely didn’t picture Zac Efron as Logan.  He’s too young and fresh-faced and lacks the solid build of a Marine – at least that’s my opinion.  I don’t think I’ll be going to see the film when it shows here – I liked the story but I didn’t love it.  (And I’m sorry if this offends the many Nicholas Sparks fans that are out there).